NaPoWriMo 20: Rising Suns

Piss-en-lit! Taraxacum!

Yesterday’s NaPoWriMo prompt was to use a prescribed list of words and include 5 or more in a poem. Jo Bell’s prompt was to write about something that was growing. So I did both: PROMPT-JAM. Yeah.

As I walked near where I live yesterday, I noticed a patch of grass with lots of dandelions on it – and I was thinking about John Donne and his poem Sun Rising. There was an Afternoon Drama about him on last week – The Flea (which was  wonderful: a great rendering of some of the poems and a great dramatisation of that moment where he met his young wife – you can listen to it here for the next couple of days and I recommend you to!).

So this poem’s a response to Sun Rising with a slightly different cosmology in mind – using that wonderful line ‘nothing else is’ as a starting point.

And, of course, sneaking in lots of those pesky words from the NaPoWriMo list*.

 

Rising Suns

or, What About Everything Else?

 

If nothing else is, then what is this? Oh

bilious soil, gerrymandering generator

of dunderheaded dandelions. Lying

on this lawn’s gutter

trying to be stars.

 

Piss-en-lit! Taraxacum!

You are the cowbird’s feed –

no more than seaweed

on this ocean green.

 

Do they not know the Sun

is non-pareil? Cyclops Sky,

look the other way from

earth’s rodomontade! Its

jagged leaf-curls, its petal-sways

firing a gaudy artillery

of interstellar rays.

 

For there is no centre,

not in you, not in me:

only endless circles,

miraculous spheres;

svelte self-similarity,

and ego’s ghostly tears.

 

*Words included (some slightly altered in form! Is that allowed?) from NaPoWriMo’s prompt:


generator
miraculous
dunderhead
cyclops
seaweed
gutter
non-pareil (having no equal)
artillery
curl
ego
rodomontade
twice
ghost
cowbird
svelte

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Beautiful Weeds, Cities and Systems

Botanical Time-Teller

At the end of last month, I performed the Vermin Cycle at Green Man Festival – it was a great experience, although it was a very family audience, not all of whom went along with the gothic style of the poems. Ah well! Find your audience, speak to them. There are some picture of the performance in the ‘Listen/Read’ page – and I’m going to refine some recordings of all the Vermin pieces from the Halo Open Mic night.

It’s been rolling around in my head of late that I would like another poetry ‘project’ or sequence to write. Having finished writing the seven Vermin pieces, I realised how much I enjoy a creative system – coupling the seven ‘verminous’ species with the Seven Deadly Sins gave some unexpected results, a fruitful ‘liberating structure’. Perhaps I’m reasonably ordered in my approach to things, but creativity as a completely ‘organic’ or unstructured process doesn’t always end up being rewarding, in my experience. When artists or writers talk about their ‘practice’ – sometimes to others’ chagrin – there’s an implied sense of development and progression, learning from what’s worked before, structuring those things which ‘come to you’ and nurturing what arises (as I think Virginia Woolf said something about – ‘Structure the things that come to you’, or similar).

So, moving on from the idea of Vermin – animals in the ‘wrong place’ and in the ‘wrong numbers’ – I was thinking about weeds. What is a weed? We’re perpetually pulling up Bind-weed (or Devil’s Guts, as it is also known!) from our allotment – it’s a strangling presence, it’s true. But it’s also very beautiful, with its white flute-flowers – and the way it strangles is actually a real wonder. Have a look. I’ve been listening a lot to a group called ‘The Burns Unit’ – who are fantastic, I encourage you to listen too ( http://www.theburnsunitband.com/ ). There’s a gorgeous lyric in one of the songs, ‘A young boy hands his mother / A beautiful weed’.

Many plants we consider weeds are really just ‘plants in the wrong place’ – according to our idea of planned horticulture and propagation. Neither is wrong, it’s just interesting to step outside inherited notions of ‘good’ or ‘bad’ plants and see them all as ‘plants in context. Likewise, in my hippy-lefty-liberal idea of people, more or less all of us could be the right kind of flower – but so often end up mired in some situation that makes us feel like ‘weeds’ – the wrong kind of plant, or the right kind of plant in the wrong conditions. Frequently in our attempts at planned cityscapes, the situation emerges as much more of an ‘organic’ one than any plan or government can realistically cater for everyone who dwells there. (This is where Imposed Buddhist Anarchy comes in, but that’s another post – and yes, it’s a deliberate nonsense!)

Having become more involved in Aro Buddhism over the last year, there was a course recently on Embracing Emotions as the Path. There’s some more information about the idea here:

http://arobuddhism.org/articles/embracing-emotions-as-the-path.html

It’s a useful system for understanding how we deal with the world, our reactions and distortions. I’m presently doing some more research into weeds – and would like to write something which ‘weaves together’ some characters with the properties of both people and weeds, as well as flickering between those qualities listed to do with the elements, into a space which is at once urban and organic – where we attempt to order our ‘patch’, but find it growing in ways we couldn’t have expected. When I’ve something more of this to show, then I’ll post it up.

I’ve also got a Murder Mystery to write – I’ll post up about that once it’s further progressed.

For now, I really should go and water the actual allotment, rather than typing about the idea of plants!