Poetry Please & Filmpoem

Helmie Stil Filmpoem.PNG

Two Good Things:

My National Poetry Competition second prize winner, ‘The Desktop Metaphor’ was featured on BBC Radio 4’s ‘Poetry Please’ on the theme of ‘Work’ last Sunday – you can listen here.

The poem was also turned into a splendid filmpoem by Helmie Stil (above!) and you can watch the filmpoem here.

It’s been great for the poem to have a bit of a media flurry – the different responses to and aspects of the piece readers have found. The filmpoem brings out a wonderful darkness and playfulness in it, which I’ve really enjoyed – and hope you do too.

The other filmpoems of the top ten National Poetry Competition entries will be being screened at a special event – am looking forward to seeing them all.

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National Poetry Competition 2nd Prize!

or, Putting on Your Proper Poet Hat

kunst

It’s with huge delight I can now celebrate that I was awarded second prize in The Poetry Society’s National Poetry Competition (NPC) 2016, with my poem The Desktop Metaphor.

Last Wednesday, we went to a prize-giving at the Savile Club in Mayfair – which was also the announcement for the Ted Hughes prize, which was originated and officiated by the Poet Laureate, Carol Ann Duffy – and won this year by the brilliant Holly McNish, for Nobody Told Me.

It’s wonderful to see my poems ‘out there’ this month, with another soon to be in March’s Rialto. (And, of course, there’s the small matter of the £2000 prize money for the NPC – which is definitely the biggest cash prize I’ve ever won – eek!).

I’ve known about the prize since the beginning of February – and enter competitions quite regularly – so have been sitting on this information for quite a while, but for a select few confidants. It’s been interesting to notice my Inner Imposter piping up at times: What do you mean, you’ve won second prize in the National? Are you sure? Did they make a mistake?

The poem I entered was something of an experiment – one I felt like there was ‘something to’ which was slightly mysterious to me as well. So I thought: why not? Chuck it in, see what happens. The pamphlet I entered to The Rialto was full of experiments, too: this was one of the aspects which was favourably commented on in the feedback.

It’s immensely gratifying for another experiment to have won a main prize in such a pretigious competition. It’s made me realise that it’s one of the aspects of my writing which is strongest: to experiment, innovate, play around and take risks with poetry. Not all experiments will work – but some will, so it’s worth persisting with them, and enjoying the process. (Indeed the Ted Hughes prize is all about innovation – so why not keep trying?)

So I’m telling my Inner Imposter to sod off, and celebrating. Because for every one thing you win, there are many you don’t – and it’s easy to get stuck in an Imposter habit, as some kind of ‘hard hat’ for resilience, in this tough process of submitting work to journals & competitions.

Time to put the Inner Imposter in its bunker and  put on my Proper Poet hat. (No, it’s not a real hat – but you can imagine one if you like.)

It’s NaPoWriMo, after all – so a great time to go forth, and experiment!