Writing Between the Lines

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“a transitory and changing constellation of percepts, hunger and muscular flexing” – a quote about the swallow, from Andrew Jeffrey‘s presentation

On Saturday, I went over the Severn to Cardiff Met University – to attend the Writing Between the Lines Symposium, on Creative Writing as Research Methodology with a keynote by Professor Kevin Mills.

Highlights for me were seeing papers by Andrew Jeffrey from Sheffield Hallam Uni – whose work roving around Sheffield to write about animals he encounters was fascinating, and delivered with huge energy and verve – I really enjoyed his energetic approach and his writing. You can see the presentation on his blog here.

I also really enjoyed hearing Megan Hayes‘ model of writing for wellbeing – drawing in aspects of Positive Psychology and ‘grounded theory’. Looking forward to hearing more about this, as it seemed a very thought-through, thoughtful and fresh approach.

And it was great too to meet Richie Copeland, hear about ‘My’ [or rather, ‘His’] Naked Queer Poetics – and discuss marriage Vs civil partnership and heteronormativity, in the loo…

Also, I finally actually met The Emergency Poet, Deborah Alma, with whom I have regular (political and poetical) exchanges on Facebook – but haven’t met in ‘meatspace’ yet. (By the way, you should order her new book The Everyday Poet you know (you’re welcome, Deborah)).

Doubtless there were others worth of mention, but these were the talks and interactions which stayed with me.

NaPoWriMo 5: Unprompted Art Poetry

 

Paul Jenkins’ ‘Phenomena Secret Cargo’ – but not as we saw it in the gallery…Which is right?

Day 6 of NaPoWriMo – I’m still brewing a cinquain from yesterday (which are HARD!) but here is a non-prompt piece inspired by a visit to the gallery in Cardiff (Wales, where I am today). I’m writing overlooking the Wales Millennium Centre (with its Gwyneth Lewis quote writ large on the front: IN THESE STONES HORIZONS SING) from a lovely cafe called Kemi’s in Cardiff Bay.

So my NaPoWriMo efforts might come a bit out of sequence (I am one behind!) – and that fits rather well with today’s atemporal slightly-experimental back-to-front work. (I’m not sure it does ‘work’ yet – but in the spirit of keeping on keeping on for NaPoWriMo, here it is anyway…)

A brief explanation: a friend and I (hello Rachel if you are reading!) went to this exhibition at the Wales National Museum Gallery and both really enjoyed the picture (above, kind of). But when we Googled it, it was upside down. Or the one in the gallery was. And really, really different because of it – not the same painting at all.

So I wrote an upside-down art poem about the incident. Here it is:

 

After seeing Phenomena Secret Cargo by Paul Jenkins

or, Up Way Which?

 

We part ways

and on my screen,

a satellite-line paints itself,

writes itself, unseen

blue, through the city

to this bay.

 

So we go to the desk

to ask a lady beneath an i

if she knew why

the Internet said

it should go up

the other way?

 

Drinking tea, we talk about writing

and find the picture, Googling on

gravity-sensing devices. But the

thumbnails show it upside-down:

Cargo Secret Phenomena.

 

In the top gallery, we talk about

Yves Klein Blue and layers

of paint in original Rothko. Then

Phenomena Secret Cargo

by Paul Jenkins. It looks like wings,

we say, like butterflies, like feathers.

How the brush sweeps up:

like it could fly.

 

One artist had refracted the stairs

in kaleidoscopic photographs –

(‘to make us question public space’)

curving up the walls.

 

Back through time,

we take pictures of

Mammoths, in panoramic mode

(which I just showed you how to use)

then make our way to the gallery,

strolling through Geology.