Posts by CouldBeTheMoon

My name is Caleb, AKA Could Be The Moon - I’m a poet, performer and educator, based in South-West England.

Winchester Poetry Prize – Winner!

**UPDATED**

Somewhere to Keep the Rain cover

My poem is the winners’ anthology title!

I was double-thrilled & beyond delighted to find out that my poem, Somewhere To Keep The Rain – after Wen Ying-Tsai, Umbrella (1971) won first prize in this year’s Winchester Poetry Prize – judged by (2016 T S Eliot Prize Winner) Sarah Howe.

It’s always an honour to make it to any of the mentions in a competition – not least because, like many poets, I put a lot of time, love and energy into entering and submitting work here, there and everywhere.

I discovered that I’d won the first prize while I was on holiday – via Twitter! After which there might have been a *few too many Maltese cocktails* and a sore head the following day.

Having a poem which feels close to my heart recognised – and by such a renowned poet – is wonderful. It’s a piece which responded to a sculpture previously installed in the Tate Modern’s ‘Tanks’ space – and, for me, gives voice to those days when you feel exposed, raw somehow, and like the volume of the world is turned up to the max.

So it’s not just winning the competition – but that a poem which tries to encapsulate this feeling has been understood, that it has communicated – and now gives its title to the winners’ anthology (see above). I’m looking forward immensely to reading this, cover to cover.

When nods like this (or my National Poetry Competition Second Prize and Rialto Pamphlet shortlisting ealier this year ) come around, it’s good to celebrate and really notice – it gives us fuel to keep going. So: keep going!

As I couldn’t make it to the ceremony, I made this video reading of the poem – I hope you enjoy it:

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Four In a Forest: A Bedtime Story

Earlier in September, I was invited by Knowle West Media Centre to write a ‘bedtime story for an artists’ at their Artist Hotel sleepover.

I borrowed guided relaxation techniques from solution-focused hypnotherapy (thanks, Emma Edwards / Shine for tips on doing so safely), animal creation myths, and lovely rhyming bedtime stories: a bit of A A Milne lyricism, a splash of Dr Seuss sass, with some Channel 4 reality formats thrown in…

The story used the animal characters and dreamy rhyme to invite the artists present (and now you) to become relaxed, and explore ideas of home, hospitality – to picture a scenario where we invite everyone in, to a perfect home, for a perfect soiree.

So I recorded the script as I read it, here – so find yourself somewhere comfy for a sit down and to relax with it – ideally before bed. And especially if you’re hosting, or going to be hosting, any kind of soiree, workshop, or event.

I hope that the story generates some interesting images in your unconscious of perfect hospitality – and feel free to comment below with any experiences and reflections about these themes.

Green Man Gripes & Shambling

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Shambling at Shambala 2017

It’s been a busy couple of festival weeks! And I’m just starting to return to the so-called ‘Real World’…

The weekend before last, I was running my Petty Protest workshops at Einstein’s Garden, Green Man Festival. Some excellent, witty griping went on – here’s some pictures:

I now have a MEGAPHONE and will be planning some projects in which I can use it again…

And then this weekend, I went to Shambala for the first time. It’s a really wonderful festival, full of generosity, creativity, appreciation, energy, and downright silliness.

It’s a very free and friendly event – some of my highlights being Power Ballad Yoga and Oh My God, It’s The Church! My quick description of the festival was ‘The 1960s fed through Google DeepDream’…So to document my first time there, I wrote a poem gathering some of the moments that stay with me – here it is.

NB: This is a poem for adults! Contains psychedelic imagery and reference to specific body-parts!

Shambling
(v.) – To attend Shambhala Festival (2017)

When the floor is your wardrobe.
When the sky roars from 30,000 eyes.
When you knock on your neighbour’s tent
of rainbow hair.
When your toes are doused in dahl.
When the urinals branch and billow.
When there’s sexy sequin soup between the pods.
When you meet bacon roving the woods, but nowhere else.
When Sexy Jesus reaches up yo’ ass all the way to yo’ heart.
When the flamingos form a Union.
When you’re at the urinal, blowing bubbles.
When you realise being Upside Down and Inside Out
might not be a nice thing, Diana?
When bacon sees you’re holding a spatula.
When the lipstick misses your mouth so far
you think it’s a scar under your chest hair.
When sauna chat rehydrates tardigrades.
When there’s glitter under your foreskin.
When you’ve no idea how you’re going to get out
of this outfit, but it’s entirely worth it.
When you meet a family of fellow gold-winged
beings and they give you a medal.
When you discuss seriously the toilets with which
you’ve formed an inappropriate bond.
When you grasp the spiritual plectrum and, when ready, expel.
When Jimmy Big-Top becomes real.
When Ship Out becomes his catchphrase.
When Shidney the Slow Loris Pirate finger-puppet becomes his sidekick.
When you convince the first person of all of this.
When the pyrotechnics make your eyes overflow.
When everyone sits down.
When I was working as a waitress in a cocktail bar.
When you were working as a waitress in a cocktail bar.
When it was Dad’s Night tonight but Mum’s Night tomorrow.
When I wasn’t born a vegetarian! I want a burger!
When you can just come and put me on the helter-skelter,
but you don’t have to watch.

When the Snow Queen grew like a luminous shroom.
When we laughed so much we let out a little bit of neon.
When we found Helen on my hat.
When there’s an injury, then ice in every crevice.
When the Cuckoo Clock strikes two glittery boobs.
When a squatter in the corner of the Herris Fencing says in broad Northern
Irish, Solidarity with women! I’m just trying to understand their experiences.
When you blow your nose and Annie Lennox’s face comes out.
When you shout to a friend, but she’s a cloud and floats away.
When the trees are bioluminescent and living for their gig.
When Glitter Largesse gives it all away.
When you become Dispatula.
When you realise it’s got lights in too.
When you meet the stuffed dog in the cone of shame
and hear its backstory and stroke its nose, because it likes it.
When you adopt the beautiful unicorn people on the dancefloor.
When the woods flutter Spanish poetry from its million Monarch wings.
When you leave the womb as Red, Red Wine.
When you grow bright yellow tail plumage and shake it, shake it, shake it.
When all bodies are beautiful.
When queues are quilted & sawdust scented with sharing.
When play is a not a privilege but an Element.
When you receive free hugs and a free shrug.
When the security van rumbles through a sunrise sweet
as a perfect grapefruit, meep-meeping: You, sir, look *fabulous*.
When the Segway Grannies grind on their trundle buggies.
When movement is in everything and the trees
are punching the air and look: the infinite
tundra of our soles.

Osteochondritis Dissecans

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“desecrated spaces, the rivers
of me, these capillaries drying up
at their tips”

Last Wednesday, I ran the last workshop (of four) at M Shed museum, around their excellent Skeletons exhibition.

As well as spending time with loads of brilliant young writers, from three schools and those who’d come to the summer holiday workshop – I felt like I’d gotten to know those bones rather well.

Being as I like to model reading out writing I’ve just written, I did a lot of it before and during the sessions. We looked at Simon Armitage’s poem Ankylosing Spondilitis (which appears in the anthology Signs and Humours: The Poetry of Medicine) during the workshops – and I encouraged participants to find a term in the exhibition and write around it. This is what I came up with:

Osteochondritis Dissecans
– after Simon Armitage, Ankylosing Spondylitis
– for all the Skeletons.

Osteo – relating to the bones
chond – conned – chondritis – itis
which makes things inflammatory
and dissecans – like desiccated coconut
like desecrated spaces, the rivers

of me, these capillaries drying up
at their tips, ceasing to flow, ground
of my bones splintering, tilting up
sharp fragments of bark
into the soft skies of my muscles
which mutter a low moan of it,
swear, quietly, with every step.

Can you help me? I’m shattered,
shattering – an intricate vase
hitting the ground in slow-motion.
Maybe you can hit pause, press stop.
Maybe some day you’ll be the one
to find some new language, a spell
before I am too broken
for superglue, to tape up.

Please: find the words. Speak them, a titanium prayer.

A Recipe for Martian Happiness

marvin-the-martian

Marvin could do with a bit of this recipe, I reckon.

Last Thursday 27th July, I compered an event as part of at-Bristol’s Festival of What If-?

As part of the evening – with its excellent provocations on the theme of living on Mars – I crowd-sourced a poem: A Recipe for Martian Happiness. That poem is now disappeared forever (though someone might have been filming it on their phone, I think) – but I’ve used the components to generate another…

**NB contains a single, heroically-deployed swearword in first stanza**

A Recipe for Martian Happiness

Take:
3,004,437 kisses of rubies and warp-tunnel-bend them with a toolbelt.
3,279,491 metric fucktonnes of lipstick and propulse them with duct tape.
8,197,635 on the Kardashev Scale of roses; whizz with a lovely felt tip pen.

Add:
1,470,239 infinitesimally small bloods, which you’ll propel with a space-hopper pump.
4,724,435 centimetres of crochet, to asphyxiate with a defraction grate.
8,716,756 fathoms of macaws: endeavour these with
the machine on the shopping channel that slices the egg.

Continue with:
7,717,684 Angstroms of banjos and drip them with resilience.
3,508,683 planetfulls of strawberries to expand with a penknife.
3,094,126 semitones of folk dancing; smash with a molecular miner.

After that, locate:
6,680,979 planetoids of ferrets, so you can daydream them with a hairdryer.
4,813,550 voids of cold noses to hyperswim with a pen.
4,312,191 planet-hops of cat videos and accelerate them with a quantum discombobulator.

Pause a moment to fetch:
1,714,822 chunks of red lipstick, invented with a centrifuge.
9,705,975 baskets of fire, upthrusted with a whisk.
601,592 on the Beaufort Scale of sex, zoomed with a Mower Drill Toothbrush.

Finally, pop in:
3,498,057 furlongs of a Martian’s ruddy complexion, evaporated with a spiralizer.
4,550,125 glasses of Marslot, blinked with a sporknif.
Garnish with a run of compressors.
Method for generating this poem:

I asked those present at the What If We Lived on Mars? event to contribute to this poem – by writing:

  • Measurements of any kind (on yellow tags)
  • Ingredients – things that make you happy and/or are red (pink tags)
  • Verbs of any kind, spacey and non-spacey (green tags)
  • Tools of spacey and non-spacey kind (blue tags)

We then used this formula when performing the poem for the first and only time, in that iteration…

Take <random no. from phone app>
<measurement>
of <ingredient>
and <verb> it
with a <tool>
REPEAT UNTIL BORED/COMPLETE
Final sequence begins ‘Garnish with…’

Living On Mars

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Hopefully living on Mars wouldn’t be much like The Expanse

Next week, I’ll be compering an event as part of at-Bristol’s ‘Festival of What If…’ – this one being around the question ‘what if we lived on Mars?’ There are details about the event here.

I might add in some specks of Martian poetry, references to Ray Bradbury’s ‘Martian Chronicles’, possible allusions to The Expanse, or even some Vogon Poetry…and I’ll be crowd-sourcing a recipe for living well on Mars (though it might not be quite what you expect…).

See you there!

(Mis)Behaviour at Green Man

I'm So Angry I Made a Sign

I’ll be leading some witty, silly, Petty Protest at Green Man Einstein’s Garden this year, as part of their theme of (Mis)Behaviour.

We’re going to be drilling down into the most pedantic and peculiar pet-hates, forming instant campaign groups with the perfect acronyms, and equipping ourselves with some poetic & comedic tools to make the best placards possible – then heading out with out whistles to cause a bit of a commotion around the festival site…

Then you can go back out into this increasingly-parodic world, ready to turn your new-found protesting skills to something else.

Because let’s face it: there’s plenty that’s not petty to protest about.

BONES

A room with twelve skeletons; skulls all facing the same way. A bony choir: but what songs will they sing us? Songs from long ago – and songs of struggle, murder and conflict. Through poetry, flash fiction and discussion we’ll be inspired by craniums, tibias and mandibles, exploring what we feel in our bones. All skeletons have a tale to tell – what’s yours?Skeletons M Shed Workshop YP Info 2.8.17I’m running a young people’s workshop for young people aged 14-17 years at M Shed Bristol on 2nd August, exploring their Skeletons: Our Buried Bones exhibition…

It’ll be a rich & strange day, where I’ll be inviting the group to really get to know the bones on display and what they might think about all this, as well as thinking about our very own skeletons – we’ve all got one. Details above: please pass them on…

 

 

Poetry Please & Filmpoem

Helmie Stil Filmpoem.PNG

Two Good Things:

My National Poetry Competition second prize winner, ‘The Desktop Metaphor’ was featured on BBC Radio 4’s ‘Poetry Please’ on the theme of ‘Work’ last Sunday – you can listen here.

The poem was also turned into a splendid filmpoem by Helmie Stil (above!) and you can watch the filmpoem here.

It’s been great for the poem to have a bit of a media flurry – the different responses to and aspects of the piece readers have found. The filmpoem brings out a wonderful darkness and playfulness in it, which I’ve really enjoyed – and hope you do too.

The other filmpoems of the top ten National Poetry Competition entries will be being screened at a special event – am looking forward to seeing them all.

NaPoReMo #1: A little support for NaPoWriMo

Just catching up on these: the poems + commentary formula is a really useful way of discovering more about reading and writing poetry…

The Bell Jar: Jo Bell's blog

National Poetry Writing Month started in the US, but it belongs to us all now. Lots of you are having a go at writing a poem every day this month. Here once again is my own list of 30 brief prompts to give you a creative prod every day. Click here to see it and (I think) CTRL + click on each link within it, to see the poems I mention.

There’s one tool for writing good poetry that sometimes gets neglected during this month of frenetic writing. To write well, you have to read well. Read wide and deep, read things you don’t like as well as those you do, and ask each poem why it works – or doesn’t.

Every day this month, I’ll post a poem for you to read and think about. There will be classics and brand new poems, comic and tragic, complex and simple…

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